Cutting Muscles with Light Crafting

Muscles are the most interesting things to photograph. Light them wrong though and they disappear. Imagine the poor person who has been working their tail off to get all cut and ripped holding an image where nothing shows. Here is how to get it right, even to make them look leaner and more muscled.

The trick is to cross light with a harsher light source or more correctly a directional light source. For drama it generally works better in a low key setting. Plus the darker the skin the more contoured light will show up muscles.

To cross light, place the light to the side of the subject so the light goes across the body. Usually if it’s a bit higher, say the standard 45 degrees, you will get a better effect. Don’t go with too contrasty a light. That is just as bad as light that is too soft, you will get the muscle ridge but rest of the muscle or abs will vanish into darkness.

Feathering the light is still a good approach; it will reduce the hot spots and contrast plus give you a more even exposure across the body. To feather a light you aim the center of the light away from the subject. Essentially they are lit with the edge light. You will lose some exposure, perhaps a stop or two but gain a more even light that is more revealing while still directional.

When lighting from the one side, putting a light behind and to the side of the subject will separate them from the background and show off more toning as well. When you do this remember that incident light, records brighter than an exposure with a light meter will suggest.  You want the exposure to be revealing of the body edge in the dark side but not so bright that it’s a white blast.

When working with the back light watch the face you want to refine the position of the head and light so you don’t have light streaking across the face, hitting the nose (a common problem).

Light from directly above is very powerful for cutting muscles. Put the light out a short distance from the subject so it’s the edge light that works for you. Your light fall off will be reduced. You can place a large reflector below the light tilted toward your subject to fill and shape the bottom part of the abs and muscles.

Happy muscle cutting with your light!

 

 

 

 

Mark Laurie map, spa, FellowPPOC
Mark is a photographer, instructor and writer. His 35 yr old Calgary based studio specializes in photographing women. Mark has had his own TV show, written 3 books plus 4 limited edition books. His Revealing Venus experience workshops run out of Italy.
http://www.marklaurie.com
http://www.innerspiritphoto.com